Denis Turbin

Tabs with icon animations, expanding credentials, and scroll-morphing illustrations. One page, zero boring sections.

A French tutor site built in Framer.

Blockbuster has such an iconic visual world, and I never understood why no one made a real brand system for it.

GPT-Image-2 continues to show interesting brand kits.

What do you think?

My 2025 portfolio site: dark aesthetics, cinematic scrolling, and high-end interactions.

Built in Framer with Unicorn Studio.

A sketchbook-style services block with flipping pages, playful doodles, and animated pricing icons—built in Framer for a French tutor.

A comic-book hero section I designed for a French tutor landing page in Framer.

The visual direction combines hand-drawn illustration with small micro-animations to keep the page playful without losing clarity.

A set of GPT-Image-2 brand-kit experiments inspired by my favorite childhood cartoons.

Four different visual worlds, translated into something closer to complete identity systems.

I’ve always loved the Walkman aesthetic but never actually seen a proper brand kit for it.

So I used GPT-Image-2 to explore what one could look like. The result combines product nostalgia with a more structured visual system.

An FAQ interaction I built for a French tutor site in Framer.

It works like iMessage: tap a question, receive the answer, or send your own directly to the teacher.

A hand-drawn direction I created for a math learning platform.

The formulas grow into tree roots, turning a familiar academic symbol into the core of the visual system.

One of the visual directions I explored for an online math school.

Playful illustrations, smooth motion, and a more storybook-like approach to learning.

A CTA and footer I designed for a French tutor site in Framer.

The Paris skyline carries the transition into the final section, while magnetic hover states make the social icons feel less static.

One of the bolder directions I created for a tattoo removal studio.

A high-impact Framer hero built around oversized type, sharp contrast, and a deliberately aggressive visual rhythm.

Static mockups only tell part of the story.

So I built a fourth direction for HumanOS around video, motion, and interaction.

The energy became part of the interface, not just the art direction.

Third visual direction for HumanOS.

Softer. Brighter. More optimistic.

A split hero, more color, and a clearer treatment system.

The challenge was balancing warmth with the confidence people expect from a health platform.

Second visual direction for HumanOS.

This one puts people first.

Large photography, direct typography, and a simple card system make the brand feel more accessible without losing the premium health-tech side.

First visual direction for HumanOS.

I wanted health data to feel organic, not clinical.

Dark imagery, biological textures, and a guided path from scattered signals to a clearer plan.

Three visual directions I created for Basepoint.

1. Signal and motion

2. Clinical precision

3. A warmer editorial side

The final identity will probably live somewhere between all three—which one would you choose?

Third visual direction for Basepoint.

This one feels warmer, more editorial, and less like a medical product.

Still serious. Still built around health data. Just with more personality and a stronger human side.

Second direction for Basepoint.

This one is cleaner and more clinical. Less movement, more structure.

The challenge was making it feel precise without turning it into the same blue-and-white medical startup everyone has already seen.

First visual direction for Basepoint.

A health-tech identity built around signals, motion, and that feeling that your body is constantly giving you data—you just need to see it clearly.